Legal Identification of Folklore Works from the Perspective of Copyright

Authors

  • LI Enhao School of Law, Southwest Medical University Author
  • ZENG Li School of Law, Southwest Medical University Author

DOI:

https://doi.org/10.65196/edfsa307

Keywords:

folklore; copyright protection; integration into daily life

Abstract

The copyright protection of folklore has a long history. Article 6 of China’s Copyright Law explicitly includes folklore works within its scope of protection, formally incorporating them into the legal framework of copyright. However, due to significant controversies, the corresponding implementation measures have yet to be promulgated. The localization and legal conceptualization of folklore have failed to meet the demands of practical development, and the trend toward the everyday integration of folklore has not been fully recognized. On this basis, it is necessary to reinterpret the conceptual connotation of folklore works. Consideration should be given to the characteristics of folklore development and China’s national conditions, clarifying the relationship between copyright protection and public domain protection, and reasonably defining the scope of folklore works.

Author Biography

  • ZENG Li, School of Law, Southwest Medical University

    ZENG Li (corresponding author of this article, born in 1993), male, is a native of Luzhou, Sichuan Province, China. He holds a Ph.D. in Law and is an appointed Associate Professor at the School of Law, Southwest Medical University, as well as a Master’s Supervisor. His main research interests include intellectual property law and health law.

Published

2026-07-31

Issue

Section

文章

How to Cite

Legal Identification of Folklore Works from the Perspective of Copyright. (2026). Journal of Humanities and Social Sciences Exploratio, 2(7), 8–14. https://doi.org/10.65196/edfsa307